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"Alright! Heavy metal guitar riffs a la Led Zeppelin and Deep Purple meet avant skronk a la Henry Cow and late-period Mothers of Invention. Somehow, it comes out as instrumental prog punk jazz, and somehow, it works to a ridiculously successful degree."
– The Big Takeover
"Imagine the bastard child of King Crimson and Soft Machine, with Albert Ayler and Eugene Chadbourne as godparents, and you come close to capturing the essence of Gutbucket. There's plenty of madness from this quartet, but there's a method to it, a twisted prog rock aesthetic that can plunge from the manic to the deliciously melodic (as on part of "Side Effects May Include," where saxman Ken Thomson becomes almost elegiac). Although they don't flaunt it, all the bandmembers are superb musicians, capable of moving through warped klezmer into avant jazz without missing a beat. However, none of this is showing off of the look-how-clever-we-are kind. Rather, it's music-making and exploring the edges, nibbling at them to re-create the elements and discover something new, which they do admirably. It's a superb record, one that fans will love..."
– Chris Nickson/All Music Guide
"Gutbucket continues to play with the frantic intensity of a punk band while exhibiting dazzling turn-on-dime chops."
"...teeming with a certain benevolent mania, a clearly discernible sense of humor, considerable virtuosity, and not a little imagination...."
– San Francisco Bay Guardian
"Like any self-respecting jazz-thrash-rock-latin-noise band from the dark underbelly of New York, Gutbucket have a peerless way.... There is something smart, sleek and assured about Gutbucket, and when they begin firing on all cylinders it makes for an exhilarating, intelligently performed racket."
– The Guardian (UK)