This album isn't genre-bending, it's genre-defying. I have to admit, that I'm not familiar with Curlew oeuvre, but normally they seem to be much more avantgardy whereas this album is song based and full of melodies. But keep in mind that these are genre-defying songs ;-)
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Compact Disc (CD) + Digital Album
The physical version of this wonderful set includes the CD of "A Beautiful Western Saddle" and the DVD of 'Live at the Knitting Factory 1991 / Live at D.C. Space' which features over 2 hours of the band at their peak recorded live!
Includes unlimited streaming of A Beautiful Western Saddle
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
"Curlew’s A Beautiful Western Saddle is one of those New York genre-bending records that’s ridiculous to categorize. Whatever you call it, it’s the most delightful hour of music I’ve heard all year. To start with, the melodies are gorgeous.... The record is full of brilliant performances too...magnificent"
– The Boston Phoenix
“Rather than drool at length over this album, let me tell you that this is the first great album of 1993 in ANY genre. Give it your time and attention, you won’t be sorry.” – Bill Meyer, Moe, v.5, Spring 1993
“...A Beautiful Western Saddle...marries Curlew's recombinant joy with the unpredictably veering, darkly satiric poetry of Canadian Paul Haines. It’s a match made in heaven... A friend once asked me why more downtown types don’t try to mix vocals into what they do; Saddle makes a real case that more should..” – Gene Santoro, The Nation, March 22, 1993;
“...on A Beautiful Western Saddle, Curlew and Denio make the impossible sound almost easy. 4 stars” – Kevin Whitehead, CD Review, May 1993
“Curlew...has made a career out of doing things no one else ever thought of. Now...they’ve done it again...”–Don Labriola Buzz #95
“This is a beautiful piece of work: Curlew, augented by the vocals of Amy Denio, sets to music 14 poems by Paul Haines, who has collaborated in the past with Carla Bley... What sets this album apart from the previous ones is...here the union is complete. It sometimes feels like the actual sound of the instruments inspired not only the composition, but the words....moments of stunning beauty and ones that are completely believable...Here’s a tough marriage that rings with the thrill of a first date. Do it again.” – David Greenberg, Creem, 6/93
For about five years in the mid 80s/early 90s, not enough people seemed to realize that the best live band in the USA was Curlew. Their heyday featured the classic line-up of leader George Cartwright (saxes), Tom Cora (cello) (who also played with Holland's legendary art-punk band, The Ex, as well as being half of Skeleton Crew, with Fred Frith), Davey Williams (guitar), Ann Rupel (bass) and Pippin Barnett (drums).
Curlew were one of the groups that defined ''the Knitting Factory sound', along with Naked City, Ronald Shannon Jackson and the Decoding Society, James Blood Ulmer, Last Exit, etc. They packed the clubs (CBGBs, Mudd Club, The Knitting Factory), toured hard throughout the world, and thrilled audiences and critics alike with their unique, infectious blend of punk-jazz/downtown sound, roadhouse blues & a distinctly Southern esthetic.
A Beautiful Western Saddle was the last album by the classic lineup, and it differs from all of their other works in that it's an album of songs, with lyrics by Paul Haines (Escalator Over the Hill, Tropic Appetites, etc) and with wonderful singing by Amy Denio. For me, this is the best-ever musical usage of Paul's words (yes, even better than his great work with Carla Bley). ABWS brings the concept of the "art song" into a whole new light.
released May 18, 2010
Pippin Barnett - drums
George Cartwright - alto and tenor saxophones
Tom Cora - cello
Ann Rupel - bass
Davey Williams - guitar
Amy Denio - vocals
Let's Sit Right Down Ann, Bob Appel, Davey (sermon) George, Tom.
What is Free to a Good Home? Ann, Bob, Davey, George, Pippin, Tom.
Breakfast Paul Haines (intro voice), Ann, Bob. Today Ann.
Now Can You Tell Me or Can It Still Be Told? Ann, Tom, Paul Haines, (final voice).
Paint Me! Bob, Davey, George, Pippin, Tom.
Bob Appel, Producer.
George Cartwright, Executive Producer.
Recorded by Jonathan Rosenberg at Water Music Recorders, Hoboken, NJ.
Mixed by Hugo Dwyer at Unique Recording, New York, NY, assisted by Scott Gilfix.
Digital editing by Ted Orr, PASS, NYC.
Mastering by Roger Seibel, SAE, Phoenix, AZ.
Photos by Michael Macioce (cover photo from his India series).
Paul Haines photo by Jo Haines.
Original design by Ruth Peyser.
"The idea for A Beautiful Western Saddle came about as the result of two concerning streams of thought: first, my own interest (later shared by the rest of the band) in Paul’s poetry as song lyrics and, second, the desire for Curlew to work with text and singer.
I had been making music to Paul’s words since 1979 when Kip Hanrahan asked me to set some of them to music for a video being made to Paul’s writing called Third World Two. Later I contributed two more pieces for inclusion on Darn It, a recording Kip was making using Paul’s words—all the while thinking that more and more of them would make splendid song lyrics.
When the possibility of doing a performance at New Music America New York 1989 appeared, I saw a chance for Curlew to do an entire concert of Paul’s work and began showing it to the rest of the band, who then wrote their own versions of the best way to present these lyrics in a song. Deciding who should sing them was easy—Amy has been one of our favorites for a long time. Herein lie the results."
– George Cartwright, 1989
supported by 30 fans who also own “A Beautiful Western Saddle”
WOW! This is excellent stuff! Is it Jazz, is it Prog, is it something else? Just don't care, this is groovy and f***ing complex at the same time. Foot tapping and headbanging in weird signatures. Frank Hadlich