Phil Miller made his name as guitarist with the legendary Canterbury bands Delivery, Matching Mole, Hatfield & the North and National Health. After the demise of National Health, he began preparing for a solo career that began with Cutting Both Ways and continues to this day. This was the first album released under his own name, and the first album to feature his band In Cahoots, who are pretty much of a supergroup themselves: Hugh Hopper-bass (Soft Machine), Elton Dean-saxes (Soft Machine), Peter Lemer-keyboards (Gilgamesh, Mike Oldfield, Pierre Moerlen's Gong) & Pip Pyle-drums (Gong, Hatfield, National Health). Additionally, two tracks are multi-overdubbed meetings between Phil and keyboardist Dave Stewart (Egg, Hatfield, National Health) and Barbara Gaskin (Hatfield). Canterbury jazz/rock of the highest order.
"This album comprises two aspects of my compositional output. The first is represented by the four pieces recorded by my band, In Cahoots, and the second by the two pieces recorded in collaboration with Dave Stewart. In Cahoots has toured Europe extensively in the past two years. The music recorded here is largely a result of the live-in-the-studio approach. This contrasts with the two pieces recorded in collaboration with Dave. Here the orientation is towards multi-tracking, utilizing the latests developments in music technology."
– Phil Miller
released January 1, 1989
tracks 1, 2, 3, 6:
Phil Miller - guitar
Hugh Hopper - bass
Elton Dean - alto sax, saxello
Pip Pyle - drums
Peter Lemer - keyboards
recorded at Spaceward, November 1985.
tracks 4, 5
Phil Miller - guitar, synth guitar
Dave Stewart - DX7, MSQ, SP 12, Prophet emulator keyboards
Barbara Gaskin - voice
supported by 6 fans who also own “Cutting Both Ways”
Stumbled on this by chance ; glad I did .
Superb fusion jazz with elements of Miles Davis bitches brew/silent way/jack
Johnson period with interesting Indonesian overtones .check it out and
You won't be disappointed. Nick Bradey