Harry Lime, the charming but dastardly anti-hero in the classic 1949 film noir The Third Man, famously dissed Switzerland saying “they had brotherly love, they had 500 years of democracy and peace – and what did that produce? The cuckoo clock.” The renegade Swiss quintet Le Rex isn’t making up for lost time, but there’s an urgency and creative ferocity to their music that would make Lime reconsider his unfair denigration. Featuring four expert horn players and drums, the band is a rising force on the European music scene, with an irresistibly grooving sound honed on the street and designed for maximum impact in clubs and concert halls.
Le Rex’s fourth album 'Escape of the Fire Ants' is the band’s most confident and cohesive, marked by consistently compelling compositions, careening melodies and thick, lapidary harmonies. It’s cosmopolitan music drawing on far-flung influences and connections to Chicago, Belgrade, Cape Town, New Orleans, and Lagos. Rather than flaunting an eclectic palette, Le Rex transmutes its source material into seamless original works reflecting the group’s singular collection of personalities. Featuring German-born alto saxophonist Benedikt Reising, tenor saxophonist Marc Stucki, trombonist Andreas Tschopp, tuba player extraordinaire Marc Unternährer, and drummer Rico Baumann, Le Rex reflects the fundamental strength that flows from musicians who’ve put in the time to forge deep ties on and off the bandstand.
Street smart and road-tested, ferociously grooving and lyrically charged, intricately arranged and spontaneously generated, Le Rex’s music contains multitudes. With 'Escape of the Fire Ants', the band is on the march.
released April 5, 2019
Benedikt Reising - Alto Saxophone
Marc Stucki - Tenor Saxophone
Andreas Tschopp - Trombone
Marc Unternährer - Tuba
Rico Baumann - Drums
Produced by Le Rex.
Recorded and mixed by Julien Fehlmann at Studio Mécanique, La Chaux-de-Fonds, Switzerland.
Mastered by André Pousaz.
Collage by Sean Smith.
Artwork by Salzmann & Gertsch.
supported by 5 fans who also own “Escape of the Fire Ants”
A few years ago, I was quite happy to learn, that a band of former members under the moniker Soft Machine Legacy, well, kept the Soft Machine legacy alive. I liked their last albums very much, but it seems to me, as if (ha) the return to the original name inspired a return to the very old form. Tunes, grooves, atmosphere - all there. And btw, I'm becoming a huge Theo Travis fan ;-) Carsten Pieper