Pre-order of Old New [HD 24b / 48k]. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
This is the hi-res version of this album. This download purchase includes a digital booklet with credits, art and information.
"...a stimulating and mesmerizing work that showcases the superlative cellist's artistry at its best. Her exquisite instrumental prowess as well as her brilliant writing make this a singular record...programmed with an excellent sense of pace and point.” – All About Jazz
The jazz polls might still list cello under the miscellaneous instrument category, but in the hands of Tomeka Reid it’s an essential vehicle for unfettered jazz exploration. Old New, the second album by the Tomeka Reid Quartet, exemplifies why she’s quickly become a definitive figure on the 21st century jazz scene. As a composer, arranger, improviser, bandleader, and impresario, she embodies jazz’s progressive ethos.
Crafting memorable tunes brimming with arresting textures and melodies, Reid creates music palpably connected to the tradition while recasting those sounds to meet her own expressive needs. Old new, indeed!
While Reid has recorded prolifically since making her debut on flutist Nicole Mitchell’s 2002 album Afrika Rising, Old New is only her second album leading her own band. It’s essentially a string band, an electro-acoustic hybrid in which any player might take on bass, melodic or rhythmic responsibilities at any given time.
“I wanted to have a string-centered group,” says Reid, who was recently voted Violinist/Violist/Cellist of the Year for the second consecutive time by the Jazz Journalists Association and the first place winner on ‘Miscellaneous Instrument’ in DownBeat’s critic’s poll. “I wanted a harmonic instrument, but not piano and I wanted to go in a different direction. For this quartet I like Mary’s manner of using pedals in interesting and creative ways. You can hear right away that it’s her. I like that contrast with me being all acoustic in this ensemble.”
“What’s awesome as a cellist is that we can create a sound for ourselves,” said Reid. “We do have a history, but not the same kind as trumpet, saxophone and pianists for example, with hundreds and hundreds of predecessors. I’ve come to appreciate that a lot more.” With Old New, Tomeka Reid has staked another flag in the future.
releases October 4, 2019
Tomeka Reid, cello
Mary Halvorson, guitar
Jason Roebke, bass
Tomas Fujiwara, drums
Recorded by Eivind Opsvik at Greenwood Underground, Brooklyn, NY 4/18/2018.
Mixed by Nick Broste at Shape Shoppe, Chicago, IL 9/13/2018.
Mastered by Dave Zuchowski, Davernoise, Chicago, IL 10/24/2018.
Producer: Tomeka Reid
All compositions by Tomeka Reid, Peoples Child Music, ASCAP.