Somnambulist, by The Kandinsky Effect

Somnambulist

by The Kandinsky Effect

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jeff paper This album, without a weak track, and uniformly great, is on repeat. There is no reason to shut it off or change selections. It's that good. I'm just going to keep it going for a while...

Nick Bradey Another great find from Cuneiform. Interesting jazz trio ; adventurous but avoiding any excess free form jazz ( I am a
firm advocate of anything featuring Keith Tippett and Paul Dunmall : I highly recommend any recording featuring these superb British jazz maestros .) Favorite track: Somnambulist.

Carsten Pieper And yet another undeniable Cuneiform Records special...
Deidre House sums it up perfectly. Jazz with post rock influences and so much more. I think, this is one of the albums that could be played to people, who are afraid of jazz... Favorite track: Petit Loup.

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This album contains a pdf booklet with credits art and photos.

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	1.	Copalchi Distress Signal 04:10
	2.	Somnambulist 04:36 video
	3.	Petit Loup 04:36
	4.	Flips 04:56
	5.	Annabelle Chases A Bug 03:17
	6.	Trits 03:17
	7.	Koala 04:10
	8.	Chomsky 03:46
	9.	Taghzout 04:18
	10.	Sad Fly 03:32
	11.	Sunbathing Manatee 03:04
	12.	Muji 04:09

about

"...a mind-bending, eclectic and challenging sonic stream that doesn’t contain even a shred of pretentiousness, but is full of creativity, individuality, expressivity and outside of the box thinking."
- Igloo

"Come to this show blindfolded and you’ll have a hard time believing the music is being created by just three people."
– Capital Bop

"The Kandinsky Effect is an accomplished band not because they implement electronics into jazz music, but rather for how they utilize electronic configurations to make their music radiate."
– Audiophile Audition

"...five solid years of recording and touring have fine-tuned their approach, stretching out beyond the confines of jazz into many directions, with electronics, funk grooves, bop, touches of punk, progressive rock, ambient and much more....not content to just re-tread what’s been done before them, but determined to break new ground at every turn, all the while keeping their sound completely listenable and satisfying."
– Exposé

On Somnambulist, The Kandinsky Effect wields its musical power in a welcoming way. Their third album isn't form-eschewing free jazz, nor are the tonalities the trio employs particularly "out". The real revelation -- and revolution -- comes simply in the way saxophonist Warren Walker, bassist Gael Petrina, and drummer Caleb Dolister organize sound.

The trio is a purist's nightmare -- and not only that of a jazz purist either. Since their first, self-titled album came out in 2010, The Kandinsky Effect has been boldly blending jazz with elements of everything from hip-hop to electronic music, making for an idiosyncratic amalgam that never goes exactly where you might expect it to; nothing can completely prepare you for its marriage of groove, atmosphere, and incendiary playing.

Bandleader Walker feels the album is the most effectively conceived collection of what he wryly calls the group's "nerd music" to date. "I feel like I had a clearer idea of what I was looking for in the sound of my compositions and how to approach writing for this group," he says, "it's a sort of coming-of-age piece."

The ability to incorporate a broad range of musical, geographical, and emotional influences into their music is at the core of The Kandinsky Effect's makeup. Formed 2007 in Paris, France, the original lineup included Petrina and Parisian drummer Gautier Garrigue. In 2010 they recorded their first album, The Kandinsky Effect. While influenced by hip-hop and electronics, the album was much more rooted in jazz and featured mostly acoustic instrumentation. Dolister joined for 2013's Synesthesia, which began to expand the band's sound, blending everything from Petrinas fondness for electronica to Dolister's love of heavy rock bands like Meshuggah, and Walker’s unique approach to composition and electronic soundscapes.

Over the years, the group has traveled extensively, performing multiple trips and tours in Europe, Asia, and North America, perfecting what Dolister calls their "intellectual groove instrumental music." And from the slip-sliding beats and slithering sax lines of opening track "Copalchi Distress Signal" to the insistent pulse and layered, lyrical melodies of closing cut "Muji," there's a feeling of the refinement process reaching fruition on Somnambulist.

credits

released January 20, 2015

Warren Walker saxophone / effects
Gaël Petrina bass / effects
Caleb Dolister drums / percussion

recorded may 2014 at le studio des egreffins
videlles, france

recording engineer
nicolas charlier

mixing engineer, post-production
sam minaie, bird food studios, new york

mastering
nate wood, kerseboom mastering, new york

producer
caleb dolister

portrait “anonymous #3”
painted by brett amory
brettamory.com

band photography
the love studio,
andreea muscurel & nino jovisic
toronto, canada
thelovestudio.net

album photography
gaël petrina

graphic design
caleb dolister

additional design
bill ellsworth

somnambulist / copalchi distress signal
koala / sunbathing manatee / taghzout / trits
composed by warren walker
(onieronaut music, ascap, sacem)

chomsky / muji / petit loup
composed by gaël petrina

annabelle chases a bug / flips
composed by caleb dolister
(caleb dolister music, ascap)

sad fly
composed by caleb dolister
for the animated pilot “spacefish”
youtu.be/Pd-7Jculi_E

warren walker exclusively uses:
selmer saxophones
lebayle mouthpieces
vandoren reeds and ligatures
applied microphones
jam pedals
radial engineering voco-loco
pedaltrain pedalboards

the kandinsky effect would like to sincerely thank everyone who helped us make this record; without your support this would not have been possible. we also want to especially thank merri & gary, samantha, maria, michaela, and joe for their generous contributions.

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about

Cuneiform Records Washington, D.C.

Cuneiform Records is an independent record label releasing adventurous, boundary-bursting music by artists from around the world.

Founded in 1984.
Based in Washington D.C.

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