"The Eyesores are an accordion-driven, gypsy cursed band that specialize in funeral marches and hypno-drone trance music, among other, equally odd things. The Eyesores are bad ass motherfuckers in an entirely new way. Recommended."
– The Noise
"This massive musical untaking is a complex mix of psychedelic folk, prog rock, old-time, acid cabaret, dark circus music, and sinister dream fragments that haunt in recurring motifs."
This one is a little bit different and also rather special. A huge nine-piece band (accordion/vocals, guitar, French horn, violin, electronics, alto sax, string bass/vocals, drums and percussion), they combine a gigantic array of influences, such as acid folk, maverick 20th century Americana (Tom Waits, Charles Ives, John Cage, Harry Partch), Eastern European folk music, noise/drone rock, cyclical minimalism (Terry Riley, Philip Glass), cabaret and theater music and more. To my ears, this band is simultaneously drawing from the 'primitive' and 'avant-garde' esthetic, and blending together this huge range of styles into a distinctive, wholely charming sound; at any given moment, you can't tell if you will be hearing the influences of 1920's Appalachia, as filtered through a modern rock band, or post math-rock rendered by acoustic instruments. There are not a lot of vocals, but what vocals there are are nicely sung and feature a wry wit. Always evolving and ever elusive, The Eyesores have consistently left their audiences equally enthralled and confused; the tradition continues here! A quiet stunner!
supported by 21 fans who also own “The Quiet Room”
Mary Halvorson is a genius composer and guitarist who has developed her own musical language, and with Code Girl she has incorporated poetry into that language. Incredible compositions and lyricism (each track is a different kind of poem). Halvorson's playing is as great as usual, and all the other members of the band sound great. Robert Wyatt's singing in particular works extremely well in the tracks he's featured. Highly, highly recommend. rat