"Tenor saxophonist Jason Robinson marries intellect to seat, brains to bawdiness, narrative to sidetrack, straight line to detour, familiarity to surprise–the dualities peppering this long, exciting disc go on. The tunes shift meter, texture and voice...the nine tracks here roil, burn and involve. Parsing each track would spawn an article far longer than a magazine can bear. To appreciate its ambition, daring and execution, listen to Robinson's ambitious, boundary-busting album. Then listen again. Modern, oracular and communal, it stretches the limits of improvisation."
"The ensemble that Robinson assembled for the session is composed of several of modern jazz's most individualistic players...Robinson's compositions manage to draw a straight line through bop, Duke Ellington, Ornette Coleman and Eric Dolphy straight into the modern day with acute-angle swing, blues-bluster and memorable themes that seem to scratch at the back of the mind with familiarity without resorting to quotation or imitation....Robinson's pieces straddle the timeline in a way that sets each musician off on his own exploratory path."
“…the saxophonist himself has a warm expressive tone, occasionally dipping into freer realms yet always staying true to the structure of his compositions.”
– Signal to Noise
released October 5, 2010
The Two Faces of Janus - one face looking at the past, one face looking towards the future. Borrowed from Greek mythology, Janus is an apt metaphor for the latest release by accomplished reedist and composer Jason Robinson. Robinson first appeared on Cuneiform with the long-running collective ensemble Cosmologic. Now he steps forward with a solo album that features a stellar band, all of whom are distinguished figures in jazz and improvised music as well as all being top-drawer bandleaders in their own right:
Jason Robinson -– tenor and soprano saxes, flute
Marty Ehrlich – alto sax, bass clarinet
Rudresh Mahanthappa – alto sax
Liberty Ellman – guitar
Drew Gress – bass
George Schuller – drums
The music is angular, expressive, emotional and virtuosic. Using Robinson's compositions as a base, all the players dig in and with their solos and ensemble interplay raise the stakes to make an outstanding contemporary work. The album seamlessly moves from hard swinging grooves to beautiful abstraction and features great work from all of these great players. Robinson’s playing and composing embodies the duality of the Janus metaphor; his music draws from the rich historical and modern traditions of jazz and he creates a decidedly modern and unique musical vision. The Two Faces of Janus also positions Robinson – originally from the West Coast – within New York’s most innovative community of creative and visionary jazz musicians. With the release of this modern classic, Robinson has arrived!
supported by 5 fans who also own “The Two Faces Of Janus”
What an incredible debut! A manifesto for what could be achieved by further mining the rich seam of music started by Tangerine Dream in the '70s. Very much a tribute to my favourite two TD albums (Phaedra and Rubycon), it also starts to tentatively branch out into what would become "The Redshift Sound". "Shine" in particular has TD-like Big Moog roots, but turns into a more Jarre-esque melodic piece by the end. Pure class from start to finish. utdgrant