The Two Faces Of Janus, by Jason Robinson

The Two Faces Of Janus

by Jason Robinson

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Nick Bradey Great set of jazz - tight arrangements, enjoyable and accessible. Superb interaction between the band members.
Worth checking out 👍👍 Favorite track: The Two Faces Of Janus.

Carsten Pieper Wow, this is quite a ride! Jason Robinson assembled a reed-heavy sextet to ramble/meditate over the Janus metophor (which, judged by this multi-faceted album, might easily have more then two faces).
As a whole, a modern, traditionally rooted jazz album, that doesn't lend to easy listening, but for a rewarding one, if you give it some time and attention! Favorite track: The Elders.

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	1.	Return To Pacasmayo 10:22
	2.	The Two Faces Of Janus 10:57
	3.	The Elders 06:14
	4.	Huaca De La Luna 03:50
	5.	Tides Of Consciousness Fading 10:17
	6.	Cerebus Reigning 08:10
	7.	Persephone's Scream 09:24
	8.	Paper Tiger 03:39
	9.	Huaca Del Sol 04:01
	10.	The Twelfth Labor 09:03

about

The Two Faces of Janus - one face looking at the past, one face looking towards the future. Borrowed from Greek mythology, Janus is an apt metaphor for the latest release by accomplished reedist and composer Jason Robinson. Robinson first appeared on Cuneiform with the long-running collective ensemble Cosmologic. Now he steps forward with a solo album that features a stellar band, all of whom are distinguished figures in jazz and improvised music as well as all being top-drawer bandleaders in their own right.

The music is angular, expressive, emotional and virtuosic. Using Robinson's compositions as a base, all the players dig in and with their solos and ensemble interplay raise the stakes to make an outstanding contemporary work. The album seamlessly moves from hard swinging grooves to beautiful abstraction and features great work from all of these great players. Robinson’s playing and composing embodies the duality of the Janus metaphor; his music draws from the rich historical and modern traditions of jazz and he creates a decidedly modern and unique musical vision. The Two Faces of Janus also positions Robinson – originally from the West Coast – within New York’s most innovative community of creative and visionary jazz musicians. With the release of this modern classic, Robinson has arrived!

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"Tenor saxophonist Jason Robinson marries intellect to seat, brains to bawdiness, narrative to sidetrack, straight line to detour, familiarity to surprise–the dualities peppering this long, exciting disc go on. The tunes shift meter, texture and voice...the nine tracks here roil, burn and involve. Parsing each track would spawn an article far longer than a magazine can bear. To appreciate its ambition, daring and execution, listen to Robinson's ambitious, boundary-busting album. Then listen again. Modern, oracular and communal, it stretches the limits of improvisation."
– JazzTimes

"The ensemble that Robinson assembled for the session is composed of several of modern jazz's most individualistic players...Robinson's compositions manage to draw a straight line through bop, Duke Ellington, Ornette Coleman and Eric Dolphy straight into the modern day with acute-angle swing, blues-bluster and memorable themes that seem to scratch at the back of the mind with familiarity without resorting to quotation or imitation....Robinson's pieces straddle the timeline in a way that sets each musician off on his own exploratory path."
– Downbeat

“…the saxophonist himself has a warm expressive tone, occasionally dipping into freer realms yet always staying true to the structure of his compositions.”
– Signal to Noise

credits

released October 5, 2010

Jason Robinson -– tenor and soprano saxes, flute
Marty Ehrlich – alto sax, bass clarinet
Rudresh Mahanthappa – alto sax
Liberty Ellman – guitar
Drew Gress – bass
George Schuller – drums

Recorded December 11 - 12, 2009 at Acoustic Recording, Brooklyn, NY.

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Cuneiform Records Washington, D.C.

Cuneiform Records is an independent record label releasing adventurous, boundary-bursting music by artists from around the world.

Founded in 1984.
Based in Washington D.C.

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